![]() The instrumental soundtrack in the show itself (also by Copeland) was also excellent.Įd Woodward was incredible in this series though some actors merely portray characters, Woodward WAS The Equalizer. The theme music by Stewart Copeland (former drummer for The Police) is sublime amazing use of synthesizer(s) - though the sound is very '80's, it's also very edgy as well - i.e., the perfect instrumental music for a crime/espionage drama. The show is so good, it's hard to believe it was a network T.V. Wow.This show is incredible! I watch a lot of TV, and I would have to say that this is not only one of the top ten TV shows I've ever seen, but is definitely one of my top five BEST T.V. As a kid, I caught a handful of episodes on network TV back in the day & was impressed by what I saw, but was never able to see much of it at the time.Ī while back, I got re-interested in the series, and ended up watching all four seasons back-to-back. 7 after the Super Bowl on CBS.The Equalizer was one of the most underrated TV series of the '80's. The questions are whether Hollywood has somewhat greedily issued that call once too often, and how many of those post-football viewers come back for mor When such trouble comes, you go to “The Equalizer,” naturally. (The program carries a dedication to the original show’s co-creator, Richard Lindheim, who died in January.) “Who do you go to if you can’t go to the cops?” the premiere’s damsel in distress asks, encapsulating the underlying premise in a single sentence. ![]() Dana Owens, among the executive producers), it’s an unpretentious exercise that makes the most of its New York setting, a bit like the former CBS hour “Person of Interest.” There’s even an NYPD detective (Tory Kittles) wondering who this mysterious vigilante might be. Marlowe and Terri Edda Miller (joined by Queen Latifah, a.k.a. Like the CW’s recent revival of another old CBS title, “Walker, Texas Ranger,” the show emphasizes family a life apart from crimefighting in a way the original didn’t – a more character-driven sign of the times, transparently seeking to humanize its inherently-likable star beyond just serving as a robotic dispenser of justice.ĭeveloped by former “Castle” producers Andrew W. OK, so it’s not quite grandma’s “The Equalizer,” although the first show was probably most memorable for its synthesized theme. They include Bishop (Chris Noth), now running a private-security firm, and a husband-and-wife team that consists of a sharpshooter (Liza Lapira) and hacker (Adam Goldberg), both inordinately handy skills in a pinch. Robert McCall has become Latifah’s Robyn McCall, a former CIA agent quietly raising her teenage daughter (Laya DeLeon Hayes) with help from her live-in aunt (Lorraine Toussaint).Ĭonveniently stumbling on a young woman in jeopardy – she witnessed a murder by some very bad people – McCall quickly demonstrates her special skills, before calling on some old friends and colleagues for assistance. If they’re in the market for another procedural with a likable lead and an inordinately good cast for this sort of by-the-numbers endeavor, they just might. The premiere does a nice job of laying out all the ingredients, hoping at least some of that audience will come back for seconds. ![]() But the character isn’t all that’s changed, as the show adopts more of a team concept than the original’s loner, even if the basic template – a pretty fun one – still involves a shadowy savior of those in need.ĬBS was happy enough with the concept, ordered as a series without the usual pilot process, to give it a coveted introduction after the Super Bowl, which should ensure a fair amount of sampling. ![]() “The Equalizer’s” evolution continues, from that stately old British gent in the 1980s to a couple of Denzel Washington movies to Queen Latifah in a new CBS series. ![]()
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